Lumora Record Co. · London E8 · est. 2024

Ten songs.
Two colours.
One record.

We cut, press and sleeve one-of-one vinyl from the playlists already living in your phone. Two inks of molten wax, one 1978 press, and no two copies alike — because there is only ever one copy.

Today on the platen — Raspberry × Ultramarine

The idea

Three thousand songs in your pocket. None on your shelf.

The good ones have earned better — the summer you drove too far, the album nobody else stayed up for. We give a playlist weight: 180 grams of it, in two colours, with a sleeve worth framing.

A record you can hold beats a thousand you skip past.

June Okafor — founder

A portrait sleeve printed in raspberry and ultramarine
01

Slow pressing

One press, one puck, one record at a time. No rushing the machine.

02

Two colours only

Limits are the style. Two colours swirl better than sixteen million.

03

Never identical

Every swirl lands a little different. Yours is the only one like it.

The process

From playlist to platter.

Four steps, one hissing press, and a machine older than most of our customers.

01

Send us a playlist

Any playlist. Even the guilty ones, especially the guilty ones. Wax forgives everything.

02

We cut the lacquer

Your songs become a groove, carved in real time on a spinning disc. This is where the magic physics lives.

03

The press closes

Two colours of hot wax meet in a single squeeze. Swirl: unpredictable. On purpose. Mostly.

04

It ships flat

Board-backed, never bent, with a note about which happy accidents happened to yours.

The full process, minute by minute

Virgin PVC pellets waiting for the hopper, printed in persimmon and violet
The machine

One press. Her name is Bertha.

Secondhand, born 1978, bought for the price of a decent used car. Every record on this site comes out of her, one squeeze at a time.

01

Model

SMT-12, two hoppers, one platen. Clogs on Mondays, like everyone.

02

Cycle

Two pucks of PVC at 160 °C meet between stampers for 28 seconds.

03

Controls

Fourteen dials from 1978. We trust four of them.

04

Output

Up to 90 records an hour, when she's in the mood. She is rarely in the mood.

SMT-12 TWO HOPPERS LOADED SOUNDS LIKE A SHY STEAM TRAIN
The groove

The hiss is the point.

Vinyl isn't trying to be perfect; that's what makes it feel alive. Up close, your music dissolves into crackle, swirl, and warmth.

01

Off-centre swirl

The two colours meet about a millimetre off, differently every press. Twins, never clones.

02

Surface crackle

Lean in and the silence becomes rhythm: thousands of tiny pops doing an impression of a fireplace.

03

The warm glow

Raspberry wax reflects more light than it receives. Physics, but make it fun.

Side A, track 3 — 41 seconds before the chorus

The reject bin

Our best mistakes.

Not every press makes it out the door. The nearly-rights retire to a crate by the entrance: five pounds each, honour system. No refunds, obviously.

Seconds sale · Saturdays · while the crate lasts

Too much raspberry

batch 38 · press 12

£5

Skips on B2

batch 41 · press 2

£5

Off-centre 3 mm

batch 39 · press 7

£5

Warped flat

batch 42 · press 19

£5

Mystery pop

batch 40 · press 1

£5

Too much raspberry

batch 38 · press 12

£5

Skips on B2

batch 41 · press 2

£5

Off-centre 3 mm

batch 39 · press 7

£5

Warped flat

batch 42 · press 19

£5

Mystery pop

batch 40 · press 1

£5
The runout

Bring a playlist. Leave with a record.

The plant door is usually open, the press is usually hissing, and there's usually a reject crate you can dig through for free.

14 Ledger Lane, Unit B, London Wed to Sat, 10 to 6 Turnaround about six weeks 12,408 pressed · 0 identical